Teacher: Suzzanna Matthews (Dublin / Online)
Hourly rates (GBP £ / USD $)
![]() | £18.00 [~$23.21] |
![]() | £16.00 [~$20.63] |
![]() | £14.00 [~$18.05] |
Promotion: Trial Class 25% Off!
Learn English
(Questioning the Narrative, Writing in Response)
What does it mean to question a narrative? What does it mean to respond? In this course we'll write a CREATIVE Reflective Essay and Narrative Essay in response to current dominant narratives. We'll form our responses using the Rogerian Model, and we'll study memes & NFTs as narrative.
Some of what we’ll read will be text (essays, articles, features, memoir, reflection and opinion pieces, and poems) some of it will be interactive or auditory (games, spoken word, podcasts, music) some if it will be visual or hybrid in form (memes, documentary, visual art) – All of it will be narrative.
In the course we will participate in class workshops to discuss and gain feedback on our writing. During class time we will work small group projects and complete individual writing exercises. As we work towards writing our Reflective and Narrative pieces. By the end of this course we can expect to gain abilities that will allow us to better
1. Form careful, well-researched, well-observed, critiques of narrative in varied creative forms (essays, opinion pieces, auto-fiction, poetry, journalism, memes, games, art and music)
2. Develop an investigative approach in understanding and responding to media rhetoric, and dominant narratives (context, credibility, construction, corroboration)
3. Identify effective writing and articulate what makes it effective
4. Identify areas to improve in our own writing
5. Understand and apply literary terminology in writing creative nonfiction (e.g., Reflective and Narrative essays)
6. Understand the workshop etiquette necessary for fruitful discussion on our writing
7. Gain conversational tools we can apply outside the classroom
8. Analyse the connections between formal and stylistic choices and authorial intention and vision
9. Articulate a work’s effects on an audience
10. Gain greater understanding of the impact of our work on others
11. Consider the relationship between a given/potential audiences and ourselves (the artist/writer as an
individual) and the relationship between an audience and ourselves
A public place you suggest
(Dublin)
Online
(Virtual classroom, Discord, Hangouts, Zoom)
At home
(Dublin)
Hourly rates per student:
![]() | GBP £18.00 [~USD $23.21] |
![]() | GBP £16.00 [~USD $20.63] |
![]() | GBP £14.00 [~USD $18.05] |
Trial class: minus 25% promotional discount
* Plus GBP £2.00 administration fee per class (per student)
* Single-class purchase fee: GBP £2.00 (per student)
Class duration options:
Online: 60, 90, 120 minutes
In person: 60, 90, 120, 180 minutes
Teacher:
Country of origin: United States
Mother language: English
Spoken languages: Spanish, French, Japanese
As an educator, I aim to guide students in developing a positive self-image and to help them build the confidence to reach their full potential. I have taught in institutions that follow Ivy standards in pedagogy, like the Harkness method. In teaching, I work with students, individually and/or collectively, to create a space where they can strengthen critical thinking skills and gain the self-confidence to ask questions and voice thoughts and ideas–with forethought and trust in their reasoning.
MPhil Creative Writing | 2019 | Trinity College, With Distinction.
BA English Literature | 2013 | University of California, Berkeley.
I have taught Literature, Composition and Creative Writing. I have also taught English one-on-one and in group and large classroom settings in Europe and Japan. Most recently, I have given grinds (Irish leaving certificate tutoring) in Literature and Spanish.
I have experience teaching the following subjects, English (language and composition), Creative Writing, Academic research skills, Academic / Essay Writing, American and English Literature, Spanish language, and Spanish Literature. I am also able to teach Art History and Philosophy.
Learn English: Questioning the Narrative, Writing in Response
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